Gerhard Richter's latest retrospective at the Tate clearly shows that his art sits in the middle ground between abstraction and realism. For almost 50 years of his career, Richter has not only mastered all the genres of painting but has also contributed to the major art movements of our time. Name any contemporary style and possibly Richter has already laid the groundwork before anybody else. And this is why it comes as no surprise that Panorama is the most eclectic collection a single artist can ever have in a lifetime.
In fact, if you didn't know about Gerhard Richter, you'd probably think the collection at the Tate was done by several people. And yet for all its eclecticism and diversity, there is still a stamp of Richterness about all of them. Whether it be Read More »
Hunger is the word I would describe Joan Miró´s retrospective at the Tate Modern. Not because I came there with an empty stomach and could hear it growling (I was starved, yes and could eat a horse, but that´s really beside the point) --- but it is really hunger which drove Miro to find his own pictorial language. He went literally famished in his experiments with surreallism often recording his hallucinations brought by hunger on paper. In fact, it was his muse. “Hunger was a great source of hallucinations. I would sit for long periods looking at the bare walls of my studio trying to capture these shapes on paper or burlap,” he said.
This going beyond the extreme resulted in a massive artistic output of more than 2,000 paintings for 70 years of his life until his death in 1983. He painted daily, driven by an inner hunger to widen the scope of visual perception. André Breton called him "the most surreal of us all." Read More »