Li Songsong's exhibition at the Pace Gallery is just simply superb. I am actually campaigning to have this exhibition extended because it's that good. Even Ai Weiwei himself has given his stamp of approval by writing two essays about this artist in the show catalogue.
For this show, Li Songsong has taken his inspiration from historical figures and events from his native country China and yet, - and this is the impressive part - reconstructs them, almost sculpturally square by square in massive aluminum-panelled paintings, and abstractly with thick layers of paint. Read More »
Yesterday, it was announced that Ai Weiwei has been released. I, and the rest of the arts community rejoiced as soon as we heard the news. It´s a coincidence that I just finished reading Phaidon´s first monograph on Ai Weiwei and have finally grasped the language of his sculpture. Any celebration thrown now would be half-bake as we know that the story has not even reached the climax. We all know that Ai Weiwei will continually be "observed" and followed by the dreadfully invading CCTV. And unless he invents a whole new set of signs and Morse codes to communicate and let us know what really happened, then we need to follow the saga.
He´s on bail for Godsakes, for tax evasion and was released due to "good behaviour for confessing his crimes." He was able to speak to some reporters outside his studio today but was not able to talk about his detention Read More »