Castiliogne? Does the name ring a bell?
For the Blogger's Event held at the Queen's gallery, Buckingham Palace, Senior curator of Prints and Drawings Martin Clayton sat down and asked me whether I knew Castiliogne. I was in fact invited to this event, the first of its kind held in an institution like this, and here I was, sipping my coffee in this shiny beautiful teacup, with little knowledge about the artist. I was lost as this so-called Lost Genius.
But hang on, I am not pretending to be anything but a mere art blogger and just as I am experimenting and expanding my knowledge about art, the Queen's gallery had hosted a Blogger's event - something that in my past three years of art blogging has never happened before. Read More »
Li Songsong's exhibition at the Pace Gallery is just simply superb. I am actually campaigning to have this exhibition extended because it's that good. Even Ai Weiwei himself has given his stamp of approval by writing two essays about this artist in the show catalogue.
For this show, Li Songsong has taken his inspiration from historical figures and events from his native country China and yet, - and this is the impressive part - reconstructs them, almost sculpturally square by square in massive aluminum-panelled paintings, and abstractly with thick layers of paint. Read More »
Hello, I'm back from a five month blogging hiatus. I've seen a lot of exhibits these past few months but never had a chance to write about them - like Anthony Caro's Park Avenue series at the Gagosian gallery and the amazing Souzou: Outside Art from Japan at the Wellcome Collection which would literally put anybody in shame for not attempting to create art. If you haven't seen it yet, click the link above to watch the video. (I guarantee you'll jump out of your seat to your nearest art shop to buy some paint.)
But now gearing up for my first blog post, (and yes I've had to clear the cobwebs in my mind after having not written anything in five months) my first venture was to see Sarah Morris' exhibition at White Cube Bermondsey. Read More »
If John Lennon's song Imagine can be transformed into a visual language, it would be something like this Disarm exhibition at the Lisson gallery. I think Pedro Reyes' weapons-cum-musical instruments really tune into what is probably the closest thing I've ever seen visual arts do to call for peace. In Disarm, Pedro fashions destroyed weapons into mechanical musical instruments and transforms them into objects with a positive message. And it's not bad too that these instruments are also functional and can be played live or automated by a computer.
There's probably too much to take in here - in fact, I had to deal with a spectrum of emotions when I saw Disarm - as if I was listening to some affecting music. First, as sculptural pieces, they all look beautiful - they are a re-imagining of how musical instruments Read More »
Whether it be smoke image tapestry or works that defy the lines between applied and fine art multi-media artist Pae White never fails to craft temporal artworks into monumental pieces.
In her new exhibition 'Too Much Night, Again' at the South London Gallery, the American artist has transformed the main exhibition space into large-scale site-specific installation with massive amounts of colourful yarn criss-crossing all over the room while spelling words 'Tiger Time' and 'Unmattering' on two opposite walls. With more than 48000 yarn to play with, Pae White has spun the South London gallery space into a live string sculpture.
Art 13 - the new contemporary art fair that graced London this week was a success: Artinfo reports the positive sales incurred during the show and it signals a bright future for this art newcomer. For me, despite not seeing the presence of major London galleries here, what I really enjoyed most was discovering foreign galleries and seeing Oriental artists take centre stage (if they haven't been basking in the Art limelight already).
The great thing about these (South east) Asian artists is their new found confidence and their boldness in merging both tradition and Western ideals in their artwork. It's not anything new of course - a lot of artists explore their history to create a new language in their work. Read More »
Antony Gormley has a special place in my heart. When I first moved here to the UK two and a half years ago, I set out for his workshop in North London in the hopes of meeting the man. Of course, that was impossible given the circumstances then but what propelled that experience was for me to start this art blog with the intent of meeting Antony.
Over time, that manifesto evolved as I continued to see more art and British sculpture and I found that I was excited about discovering other artists (and discovering myself through art in the process). In the back of my mind however, I still wanted to meet him. (Read my new personal manifesto in the About Me section). Read More »